Until recently, it would have been unimaginable for the government of a world power to communicate on a large scale using memes and AI-generated images—or even to design its policies from the outset to be meme-worthy. In the U.S., this has been the case since the start of Donald Trump’s second term. This means that even the toughest political decisions are translated into pithy, entertaining formats, thereby masking their true nature. It also means, however, that the government’s own supporters and “meme warriors” in turn constantly circulate memes with which they support the respective policies and often intensify them even further. The lecture analyzes this novel form of visual politics and its setting: social media platforms, where the Darwinian “survival of the fittest” logic functions as a model for society and the political system as a whole.
Wolfgang Ullrich, born in 1967, lives in Leipzig as a cultural studies scholar and freelance author. His publications cover the history and critique of the concept of art, topics in visual sociology, and consumer theory. He is co-editor of the book series “Digitale Bildkulturen” (Digital Visual Cultures) published by Klaus Wagenbach. - Recent book publications: Selfies. The Return of Public Life (2019); Becoming the Enemy. A Report (2020); Art After the End of Its Autonomy (2022); Identification and Empowerment. Art for the Seriousness of Life (2024); Memocracy. Social Media and Authoritarian Image Politics (2025). More at www.ideenfreiheit.de.
Wolfgang Ullrich was invited as part of a seminar organized by Daniel Hornuff.
The event will be held in German.